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"I'm you from the future." "You're... me? Why do I look like this?" "Well...I lost the lottery. So I snuck into a time machine. You know what to do, right?" *Gets out a pen and paper* "Shoot." "So the lottery number is..." What? Let me dream.

Funnily enough, I hated side stories or fillers so much when I was little. But eventually, I came to realize that what I hated wasn't the side story content itself, it's the fact that the main story had to experience a lag for this side story to happen. So now, I've resorted to just...updating...

Literally this. Except for those rare interactive stories, I don't think readers will ever write the author's story for them; ultimately, it'll boil down to the story's author to keep it going. And for the author to keep the story going, their purpose in doing so becomes the most important. Why...

I kinda do something like this? I just write in normal third person most of the time, but on occasion, I'll literally get into a certain character's head and write out what they're thinking. And I don't exactly limit it to a single character so, as others have said, it may come across as...

As a reader, I find prologues most charming when they're relevant to the first chapter, at least in some way, shape, or form. It's not like I want the two to be perfectly connected in time or anything, but when they showcase the same character, or a character in chapter 1 speaks of events that...