As a reader, what is your attention span tolerance for the minimum and maximum number of sentences in a paragraph?

TinaMigarlo

Apparently my pronouns are now: "it". Thanks, guys
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Additionally, sure, me saying 'its' is definitely a rude joke on my part, I can admit that. Just like how you making a crude jab about women being less intelligent than men was unnecessary over a misunderstanding.
I was gratuitously insulted several times.
here you are again. trying to insult me for long posts.
I took no offense.

for the record? I didn't say that. I just *repeated* it.
maybe if you read this whole thread, you'd have seen that.

I think the whole thing's funny. try to have a sense of humor.
or not.
for someone who insults people multiple times, gratuitously?
you sure do get offended easily.
adults? just skip over "long posts" if that's their personal pet peeve.
its juvenile to carry on forever about it.
which one are you in this scenario. I know which one I am.

my heartfelt apologies this post was longer than a "tweet".
 

Juia_Darkcrest

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Sentence word count, sentences & word count of paragraphs, words per chapter.. makes little difference to me. What I'm curious about is why the hundreds of thousands of word novels? My guess is some of you are hoping to write something that clicks and gets published. Wouldn't your chances be better with ten - 70k books than with one 700k book?
Depends what you are writing. My FF novel is 165 chapters and nearly 450k word count, but within it, my MC has had several 60-100k stories as he travels between worlds. Other than his initial 25 chapters when he was bouncing around between a few of them and getting 'used' to his new reality, I have written novellas/light novel-length stories for each world. My OG work is also in it, sitting at 43 chapters on its own. So it all falls under one web novel, but in practice, it is multiple works with my MC connecting them.
 

TinaMigarlo

Apparently my pronouns are now: "it". Thanks, guys
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Whatever your gender is, you're probably the first person I genuinely find annoying.
in keeping with the theme then...

since two other people said something about long posts (being longer than tweet length, apparently)
you're actually the third person I found annoying to hear from.
(drum roll *cymbal*)
 

AliceMoonvale

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I was gratuitously insulted several times.
here you are again. trying to insult me for long posts.
I took no offense.

for the record? I didn't say that. I just *repeated* it.
maybe if you read this whole thread, you'd have seen that.

I think the whole thing's funny. try to have a sense of humor.
or not.
for someone who insults people multiple times, gratuitously?
you sure do get offended easily.
adults? just skip over "long posts" if that's their personal pet peeve.
its juvenile to carry on forever about it.
which one are you in this scenario. I know which one I am.

my heartfelt apologies this post was longer than a "tweet".

You seem to be really hung up on tweets for w/e reason. But if pointing out that your long posts are long is that insulting to you, then I don't need to say more. lol should adhere to your own advice.
 

MFontana

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Attention Span Tolerance for Min-Max Number of Sentences in a Paragraph

Please state your opinion in the following format, for example:

A maximum attention span of five sentences per paragraph for atmospheric description;

A minimum of a sentence per paragraph for sharp dialogue in battle scene.
For me, it isn't a matter of attention span.
It is a matter of what is visually appealing and an easier structure to follow. Towards that end, I tend to lean towards the standard range of 3-5 sentences per paragraph, with both my preferred reading, and my writing.

3 - 5 sentences per paragraph tends to be the standard range, especially in published works, but some can certainly be shorter, and others can certainly be longer.

In my experience, a wall of text for a single paragraph can be difficult to read, and is not visually appealing, even when it delivers an exceptional amount of detail.

On the other side, only having a single sentence (or line) per paragraph isn't suitable for delivering the depth and weight typically found outside of children's books.

It also isn't conducive to letting moments within the narrative breathe and linger as they often must.
 

Sylver

Writer/Lover of Monster Girl Smut Content <3
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I hate short paragraphs,

that looks

like this. It

makes totally no

sense and is

annoying af.
This does wonders for me to read and follow with ease, but I'm dyslexic so count me as the exception :blobrofl:
Attention Span Tolerance for Min-Max Number of Sentences in a Paragraph

Please state your opinion in the following format, for example:

A maximum attention span of five sentences per paragraph for atmospheric description;

A minimum of a sentence per paragraph for sharp dialogue in battle scene.
As a writer, one of the first criticisms I received on here was that my paragraphs were to wordy and long for 2am sleepyheads :blobrofl: so I trimmed them down based on size of text rather than following the 4 sentence rule. It helps me find any grammatical errors and typos easier, and it makes the chapter easier to read.
 

Emotica

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I'd honestly think if you're an avid reader, that it requires more attention span to read individual sentences on individual lines than it would take to read a 5-7 sentence paragraph. Studies on how reading actually works suggests to me that every time that you arbitrarily start a new line, you're forcing the brain to reorient and recalculate. Avid readers read so fast, that I think it would take them longer to read two separate lines, than the same exact text back to back, so long as the text wasn't crowded. That begs the question if the one-liner trend started to appeal to shorter attention spans, or lower literacy rates. It's essentially the digital equivalent of pointing with your finger as your read. Of course, the same paragraph from a book or on the computer looks way more cramped on mobile, but I think if you start writing for mobile, that you'll just never have to be able to have a paragraph of prose.

I actually usually click out of novels that abuse the one line at a time format, but I'm curious how those authors even explain anything more complex than "the curtains were blue."
 

Sylver

Writer/Lover of Monster Girl Smut Content <3
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And now you are receiving one from me that they are too short (but that's just my preferences).
Aw shucks cx for real? Darn :blobrofl: I might have to keep them the way they are for now, but I'll keep that in mind.
You read my work or did you just check it out to comment this? :blob_evil_two:
So am I, lol.
Ooooo I'm not alone :blob_aww: wanna be friends? :blob_gift:
 
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TinaMigarlo

Apparently my pronouns are now: "it". Thanks, guys
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I actually usually click out of novels that abuse the one line at a time format, but I'm curious how those authors even explain anything more complex than "the curtains were blue."
the last place I was at, was "slop central" for webnovels. I got a lot of:
"Dude. I get it. The MC is dying. Its a sentence or maybe two, then move the *&^% on. You're killing me."

So to make a glib joke?
Unless the curtains will *do* something (some action), they would never mention them, much less worry about what color they were.
 

Emotica

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the last place I was at, was "slop central" for webnovels. I got a lot of:
"Dude. I get it. The MC is dying. Its a sentence or maybe two, then move the *&^% on. You're killing me."

So to make a glib joke?
Unless the curtains will *do* something (some action), they would never mention them, much less worry about what color they were.
I'd argue that you have to write for the demographic you want. The "I'm not reading allat" crowd isn't loyal, or profitable, at least not for literature. It's an opportunity cost, because if you appeal to that crowd too much, you never know what opportunity you're missing from another crowd. With movies, you make a braindead comedy to make mass sales, but if you want to be a cultural phenomenon remembered more than a couple months later, you make something profound, even if it goes unappreciated for a long time. It's a double-edged sword, pick your poison. I choose to believe that readers can still read more than two sentences at a time and that the literary world isn't turning into tick-tock. I might be wrong, but I'll die on that hill before I climb into the gutters...


Okay, I'll climb into the gutters a little bit, but you get my point.
 
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CharlesEBrown

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Honestly it depends on the nature of the story and skill of the storyteller.
I've seen some great descriptive sections that were two or three paragraphs long, but each paragraph took up a huge chunk of a page - and then had short paragraphs used very effectively.
This mix seems easiest in comedy - Douglas Adams and Terry Pratchett both could ramble on for several pages in a single paragraph, or pare basic elements of a scene down to a single sentence, all to slip in a joke of some sort.
And Peter David wrote a story with chapter that was just a single sentence paragraph ("It seemed the polite thing to do." - the previous chapter had the FMC coming home from work, expecting to find the strange man she helped that morning in her apartment, only to find a massive, wolf-like creature she assumed was a dog there - and, when she walks in, the dog walks over and sticks its nose in her crotch, ending the chapter. The next chapter was just that one line.).
But these are the EXCEPTIONS, and not the rule.
Generally, its best to keep a paragraph down to one or two very closely linked ideas and start a new one when a new idea creeps in. And, if it takes more than six or so sentences to convey that idea, it may need to be refined so the prose can be tightened. But maybe not. It really is situational and subjective.
 
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