Exiled_From_Earth
Member
- Joined
- Jun 30, 2025
- Messages
- 29
- Points
- 13
Recently, I've begun to question how to market my story, and this has caused me to think that I'm not even currently presenting it properly.
The story itself is an ensemble with a cast of rotating POV characters whose plotlines all overlap and weave in and out of each other as the narrative progresses (sort of like Asoiaf or even Dune). The idea is that every POV character is the central focus of their own story, and they are all equally important to the plot. This is not a universe that revolves around one person in particular.
The trouble is that it does not start out this way.
Book one begins by following two characters in the first five chapters before the first POV switch in chapter six. Those shifts begin as brief interludes but become more and more frequent with time, to the point that they become normal occurrences.
On top of this, out of the previous two characters that the story follows in the beginning, only one makes it out of the first volume alive, and (like most of the other characters) I don't exactly plan for them to make it all the way to the end of the series. So this is all to say that I have found myself with the dilemma of a "false protagonist," and I'm not sure how to telegraph that plot element to potential readers without giving away major spoilers.
And if I choose not to spoil that element, I could potentially be risking a large viewer drop from people who came into the story with false expectations. (A dropoff that I have already begun to see, and will most likely continue.)
I believe that changing my synopsis and adding a list for reader expectation might be the solution to this problem, but I'm not quite sure, and I'm worried that if I change the synopsis, it will lack the emotional hook that my current one has.
-
This is my current, character-focused synopsis (That really only covers the start of book one):
-
And this is the purely story-focused one that I'm thinking of changing to:
-
I've also been considering one that does name the other POV characters, but again, this potentially lacks a clear hook (I have a few versions of this one, but these are the two that show the idea the best):
I also have this version that someone on Reddit made for me:
I guess that my main question is, which one do you feel works best for a story like this?
Am I better off marketing the characters and their stories or the setting? Which one should I pick, and can I improve any of them?
(Because I honestly have no idea what the best move is right now)
The story itself is an ensemble with a cast of rotating POV characters whose plotlines all overlap and weave in and out of each other as the narrative progresses (sort of like Asoiaf or even Dune). The idea is that every POV character is the central focus of their own story, and they are all equally important to the plot. This is not a universe that revolves around one person in particular.
The trouble is that it does not start out this way.
Book one begins by following two characters in the first five chapters before the first POV switch in chapter six. Those shifts begin as brief interludes but become more and more frequent with time, to the point that they become normal occurrences.
On top of this, out of the previous two characters that the story follows in the beginning, only one makes it out of the first volume alive, and (like most of the other characters) I don't exactly plan for them to make it all the way to the end of the series. So this is all to say that I have found myself with the dilemma of a "false protagonist," and I'm not sure how to telegraph that plot element to potential readers without giving away major spoilers.
And if I choose not to spoil that element, I could potentially be risking a large viewer drop from people who came into the story with false expectations. (A dropoff that I have already begun to see, and will most likely continue.)
I believe that changing my synopsis and adding a list for reader expectation might be the solution to this problem, but I'm not quite sure, and I'm worried that if I change the synopsis, it will lack the emotional hook that my current one has.
-
This is my current, character-focused synopsis (That really only covers the start of book one):
Twelve years ago, humanity was at war. Then the Rusting was unleashed.
It is an unstoppable, unnatural force that has turned all metal in the universe to dust, created by Emperor Gelmidas Atheneum, ruler of the Division of humanity.
He is the man that Nadeden has vowed to kill.
Nadeden was once the Scorched Archer, a soldier known and feared for her relentless cruelty.
Nothing will stop her from exacting her vengeance.
Except for perhaps one young Machinist...
They were a pacifist from a mechanical species.
Now they have been trapped in a human body and roped into Nadeden’s bloody quest for revenge.
In a universe filled with death, this pacifist will dare to claim that “Life is precious.”
But will Nadeden think the same?
-
And this is the purely story-focused one that I'm thinking of changing to:
Twelve years ago, Emperor Gelmidas Atheneum changed the universe forever…
The Rusting is a mysterious and unstoppable curse that corrodes all metal at a rapid rate. Unleashed upon a humanity that was already intent on tearing itself apart, the curse has not only revealed the worst parts of them, but every other species as well.
In this cosmic chaos, everyone vies for some sense of control. Politicians crave influence, criminals want power, soldiers want justice, and mourners want their beloveds back, but above all else, everyone wants to survive.
Most will not.
But that is not the fault of the Rusting.
Life is precious, but those who dare to claim that are the most vulnerable of us all.
What to expect:
A large, revolving cast with minimal plot armor and complex character dynamics.
Grimdark and fantasy elements with a pinch of cosmic horror and political intrigue.
Long-form storytelling with strong payoffs and wide-reaching narrative consequences.
-
I've also been considering one that does name the other POV characters, but again, this potentially lacks a clear hook (I have a few versions of this one, but these are the two that show the idea the best):
Twelve years ago, Emperor Gelmidas Atheneum changed the universe forever…
The Rusting is a mysterious and unstoppable curse that corrodes all metal at a rapid rate. Unleashed upon a humanity that was already intent on tearing itself apart, the curse has not only revealed the worst parts of them, but every other species as well.
Everyone scrambles to make sense of it all. Vanessa and the Emperor crave influence, criminals want control, Nadeden wants vengeance, and Smith wants their robot body back, along with the rest of their species, but above all else, everyone simply wants to survive the now rampant cosmic chaos.
Most will not.
But that is not the fault of the Rusting.
Life is precious, but those who dare to claim that are the most vulnerable of us all.
Twelve years ago, Emperor Gelmidas Atheneum changed the universe forever…
The Rusting is a mysterious and unstoppable curse that corrodes all metal at a rapid rate. Unleashed upon a humanity that was already intent on tearing itself apart, the curse has not only revealed the worst parts of them, but every other species as well.
Many seek to benefit from the chaos, but the Emperor’s son Adamus would rather be left alone, and his betrothed Cassandra Soryu would rather be anywhere else. While her Stepmother Vanessa Soryu seeks only power. Nadeden, on the other hand, wants revenge on the whole system. But, Smith, one of the last survivors of an android species who has been trapped in a human body, just wants peace.
And that last wish may be the most difficult of all to grant.
I also have this version that someone on Reddit made for me:
The Rusting. An unstoppable curse that ravishes processed metals in seconds.
And Emperor Gelmidas Atheneum has released it on the universe.
Systems—not only human—plunge into chaos. Despite the light of the stars, darkness falls upon every species. Life must adapt to the new reality:
Nadeden wants justice, Vanessa Soryu craves influence and power, Cassandra Soryu wants to escape, and the near-extinct Machinists species just want their beloved back.
But in the universe after the Rust, simple survival is something that most fail to achieve.
I guess that my main question is, which one do you feel works best for a story like this?
Am I better off marketing the characters and their stories or the setting? Which one should I pick, and can I improve any of them?
(Because I honestly have no idea what the best move is right now)