Feedback request —the uncrowned paragon ( survival, escape, and complex power system)(please i really need it)

abysslover12

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Hey folks, I’d love some feedback on my story no holding back i want an honest one. The premise is simple but intense: John dies in our world and wakes up in the body of a thirteen‑year‑old, forced into an organization that trains kids into weapons. The system is layered and complex, and survival means mastering it while plotting an escape with his group.
this is the short and early story arc until now, but it is going to get more interesting later on, as it has a slow start:

What I’d really like to know:
  • Do the characters feel real and worth rooting for?
  • Does the pacing hold your interest or drag in spots?
  • Are the stakes and motivations clear enough?
If possible, point out one scene that clicked for you and one that felt slow or confusing. I’ll happily return the favor and check out your work too. Thanks a lot but only if you checked out the story!
The uncrowned paragon | Scribble Hub
 
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Eldoria

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Do the characters feel real and worth rooting for?
For other people, isekai fans, maybe yes. For me, who is full of isekai, NO.

Does the pacing hold your interest or drag in spots?
This question is irrelevant to me (as a reader). I haven't read isekai MCs in a long time. I now prefer local MCs who create organically-feeling conflict.

Are the stakes and motivations clear enough?
Judging from the fictional premise... the MC's motivation is likely survival. The stakes are life or death. I've seen this pattern in other fiction. So, yeah, it's obvious.
 

Lufli

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Hey folks, I’d love some feedback on my story no holding back i want an honest one. The premise is simple but intense: John dies in our world and wakes up in the body of a thirteen‑year‑old, forced into an organization that trains kids into weapons. The system is layered and complex, and survival means mastering it while plotting an escape with his group.
this is the short and early story arc until now, but it is going to get more interesting later on, as it has a slow start:

What I’d really like to know:
  • Do the characters feel real and worth rooting for?
  • Does the pacing hold your interest or drag in spots?
  • Are the stakes and motivations clear enough?
If possible, point out one scene that clicked for you and one that felt slow or confusing. I’ll happily return the favor and check out your work too. Thanks a lot but only if you checked out the story!
Hey! Where can I read the story? Am I missing something?
Or are we suposed to comment on the premise?
 

abysslover12

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For other people, isekai fans, maybe yes. For me, who is full of isekai, NO.


This question is irrelevant to me (as a reader). I haven't read isekai MCs in a long time. I now prefer local MCs who create organically-feeling conflict.


Judging from the fictional premise... the MC's motivation is likely survival. The stakes are life or death. I've seen this pattern in other fiction. So, yeah, it's obvious.
Thanks for taking the time to look at it and give your real thoughts. I see what you are saying about all the isekai stuff out there; it does feel like there are tons of them. As someone just starting out writing, I figured Id try doing the kind of tales I've read a bunch and liked a lot. Right now, the story is in this early part where survival takes up most of the space, but later on it will change around some since I'm pulling in bits from other favorites I have. I really like hearing what you think, and if there is something I could do better, just say it, I'm all ears for that. Oh, and I noticed you posted your own story too, so I'll get to reading it soon and try to leave some kind of review. It might come out a little basic because I'm still figuring out how to do this well, but yeah, I'll give it a go.
Hey! Where can I read the story? Am I missing something?
Or are we suposed to comment on the premise?
sorry still new to this i have put the link on now so you can check it out there
 

MFontana

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Hey folks, I’d love some feedback on my story no holding back i want an honest one. The premise is simple but intense: John dies in our world and wakes up in the body of a thirteen‑year‑old, forced into an organization that trains kids into weapons. The system is layered and complex, and survival means mastering it while plotting an escape with his group.
this is the short and early story arc until now, but it is going to get more interesting later on, as it has a slow start:

What I’d really like to know:
  • Do the characters feel real and worth rooting for?
  • Does the pacing hold your interest or drag in spots?
  • Are the stakes and motivations clear enough?
If possible, point out one scene that clicked for you and one that felt slow or confusing. I’ll happily return the favor and check out your work too. Thanks a lot but only if you checked out the story!
The uncrowned paragon | Scribble Hub
There's quite a few chapters there, so I'll check it out later and get back to you.
What I'll say for now, after reading the synopsis is this:
  • The EM Dashes are definitely excessive in the Blurb/Synopsis, and due to my own personal preferences on the topic, I'd pass on reading the story.
  • I'm also not a fan of there being child abuse as a major element of a story, so that'd also put me off reading it.
I will, however, keep my personal feelings out of the critique and feedback I give you when I do get around to it, but it most likely won't be until this weekend at the earliest.

As for the synopsis/blurb, you're leaning heavily on the generic isekai formula, which could work for some folks who like it, but that said, there isn't really much of anything that makes those foundations your own.

Sure, you may do that in the story (I don't know yet, Haven't read it yet), but you should probably consider doing it in the synopsis/blurb so your story stands out in the over-crowded genre.

Would you rather I leave the feedback here, or in the chapter comments?
 

abysslover12

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There's quite a few chapters there, so I'll check it out later and get back to you.
What I'll say for now, after reading the synopsis is this:
  • The EM Dashes are definitely excessive in the Blurb/Synopsis, and due to my own personal preferences on the topic, I'd pass on reading the story.
  • I'm also not a fan of there being child abuse as a major element of a story, so that'd also put me off reading it.
I will, however, keep my personal feelings out of the critique and feedback I give you when I do get around to it, but it most likely won't be until this weekend at the earliest.

As for the synopsis/blurb, you're leaning heavily on the generic isekai formula, which could work for some folks who like it, but that said, there isn't really much of anything that makes those foundations your own.

Sure, you may do that in the story (I don't know yet, Haven't read it yet), but you should probably consider doing it in the synopsis/blurb so your story stands out in the over-crowded genre.

Would you rather I leave the feedback here, or in the chapter comments?
Thank you for pointing those out. I will definitely take into account your points, as for the feedback, anywhere is fine, put it wherever you like
There's quite a few chapters there, so I'll check it out later and get back to you.
What I'll say for now, after reading the synopsis is this:
  • The EM Dashes are definitely excessive in the Blurb/Synopsis, and due to my own personal preferences on the topic, I'd pass on reading the story.
  • I'm also not a fan of there being child abuse as a major element of a story, so that'd also put me off reading it.
I will, however, keep my personal feelings out of the critique and feedback I give you when I do get around to it, but it most likely won't be until this weekend at the earliest.

As for the synopsis/blurb, you're leaning heavily on the generic isekai formula, which could work for some folks who like it, but that said, there isn't really much of anything that makes those foundations your own.

Sure, you may do that in the story (I don't know yet, Haven't read it yet), but you should probably consider doing it in the synopsis/blurb so your story stands out in the over-crowded genre.

Would you rather I leave the feedback here, or in the chapter comments?
by the way i am also trying to check out your stories, and since there are a lot of them, does the order matter, or do I just start one
 
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Lufli

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Hey folks, I’d love some feedback on my story no holding back i want an honest one. The premise is simple but intense: John dies in our world and wakes up in the body of a thirteen‑year‑old, forced into an organization that trains kids into weapons. The system is layered and complex, and survival means mastering it while plotting an escape with his group.
this is the short and early story arc until now, but it is going to get more interesting later on, as it has a slow start:

What I’d really like to know:
  • Do the characters feel real and worth rooting for?
  • Does the pacing hold your interest or drag in spots?
  • Are the stakes and motivations clear enough?
If possible, point out one scene that clicked for you and one that felt slow or confusing. I’ll happily return the favor and check out your work too. Thanks a lot but only if you checked out the story!
The uncrowned paragon | Scribble Hub
Hey again!

To be clear: I read the prologue, Chapter 1, Chapter 2, and Chapter 19.

Quick note before I start: I’m a beginner myself, so feel free to take this with some skepticism, it’s just one reader’s reaction.

Regarding the first three chapters:

Honestly, the first three chapters (including the prologue) were a hard read for me. It’s not really about the ideas, it’s about how you deliver them.

While reading, the prologue and Chapter 1 felt like two prologues back-to-back, because we first get John’s backstory and then his encounter with Jynx, before the story really starts moving.

Also, it didn’t really click for me that Jynx is supposed to be a child. It felt a bit forced. So, to answer your pacing question: for me, the beginning is definitely too slow, slow enough that I probably wouldn’t have kept reading under normal circumstances.

I think you also overused metaphors, and a lot of them didn’t feel natural to me. It read a bit like trying to compensate for how much telling there is by piling on imagery, but in my case, that overload didn’t work (at least for me).

As for whether the characters feel real and worth rooting for: I don’t really care about John yet, mainly because he wants to die. He does feel “real” to a point, but it also feels like the story is forcing that label on him, instead of letting the character’s mindset develop more naturally over time. A wise person once told me: let your character explore the story without forcing them to be something they aren't.
John’s depression doesn’t feel fully earned to me yet, mainly because we don’t really see what he’s losing. A couple of quick, wholesome beats with Lisa (or his brother), a specific moment where she helped him, a small routine they shared, something that made her his anchor, would make his breakdown feel more natural and help the reader feel it with him instead of just being told

Right now, it also weakens the stakes: if he genuinely wants to die, then a lot of tension disappears. And if he’s going to change his mind eventually, it didn’t happen early enough for me to stay invested.

Regarding Chapter 19:

I liked Chapter 19 more than the earlier chapters. The pacing still felt a bit off (or intentionally slow), but the group dynamic came across as natural overall. There’s also a hinted love interest, which could get a little weird if John reciprocates since he’s mentally much older.

Chapter 19 was easier to read — probably because you used fewer metaphors and leaned more on dialogue and clear expressions/actions.

Hope this helps without sounding too harsh.

Good luck, and keep working at it.
 
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MFontana

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Thank you for pointing those out. I will definitely take into account your points, as for the feedback, anywhere is fine, put it wherever you like

by the way i am also trying to check out your stories, and since there are a lot of them, does the order matter, or do I just start one
All of the series are stand-alone, and take place in the same overarching setting.
The Elarian Chronicles: Is a five-volume series, and should probably be read first, but doesn't have to be.
Aethara: Takes place in the same setting, but a different part of the world, at a different point in the timeline.
Aestelle Nocte: Takes place on the fictional Earth of the setting, as opposed to the 'Fantasy Side' of the shared universe.
Mythbound: Can really be skipped. It's just one of my old stories that I left here and might get back to at some point.

So far only the early chapters are available for each of them, with more scheduled for release later this month.
 

abysslover12

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Hey again!

To be clear: I read the prologue, Chapter 1, Chapter 2, and Chapter 19.

Quick note before I start: I’m a beginner myself, so feel free to take this with some skepticism, it’s just one reader’s reaction.

Regarding the first three chapters:

Honestly, the first three chapters (including the prologue) were a hard read for me. It’s not really about the ideas, it’s about how you deliver them.

While reading, the prologue and Chapter 1 felt like two prologues back-to-back, because we first get John’s backstory and then his encounter with Jynx, before the story really starts moving.

Also, it didn’t really click for me that Jynx is supposed to be a child. It felt a bit forced. So, to answer your pacing question: for me, the beginning is definitely too slow, slow enough that I probably wouldn’t have kept reading under normal circumstances.

I think you also overused metaphors, and a lot of them didn’t feel natural to me. It read a bit like trying to compensate for how much telling there is by piling on imagery, but in my case, that overload didn’t work (at least for me).

As for whether the characters feel real and worth rooting for: I don’t really care about John yet, mainly because he wants to die. He does feel “real” to a point, but it also feels like the story is forcing that label on him, instead of letting the character’s mindset develop more naturally over time. A wise person once told me: let your character explore the story without forcing them to be something they aren't.
John’s depression doesn’t feel fully earned to me yet, mainly because we don’t really see what he’s losing. A couple of quick, wholesome beats with Lisa (or his brother), a specific moment where she helped him, a small routine they shared, something that made her his anchor, would make his breakdown feel more natural and help the reader feel it with him instead of just being told

Right now, it also weakens the stakes: if he genuinely wants to die, then a lot of tension disappears. And if he’s going to change his mind eventually, it didn’t happen early enough for me to stay invested.

Regarding Chapter 19:

I liked Chapter 19 more than the earlier chapters. The pacing still felt a bit off (or intentionally slow), but the group dynamic came across as natural overall. There’s also a hinted love interest, which could get a little weird if John reciprocates since he’s mentally much older.

Chapter 19 was easier to read — probably because you used fewer metaphors and leaned more on dialogue and clear expressions/actions.

Hope this helps without sounding too harsh.

Good luck, and keep working at it.
Thank you so much for this ya I also felt like it was slow the first few chapters cause I didn't really know how to get into it, as for chapter 1 reading like a prologue it is cause it is an important reference later to the story as jynx is a central part of the story but all in all thanks for the feedback that was what i was really looking for. I really appreciate you taking the time to share your thoughts. you said you read chapter 2. Any thoughts, on that.
 
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Lufli

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Thank you so much for this ya I also felt like it was slow the first few chapters cause I didn't really know how to get into it, as for chapter 1 reading like a prologue it is cause it is an important reference later to the story as jynx is a central part of the story but all in all thanks for the feedback that was what i was really looking for. I really appreciate you taking the time to share your thoughts. you said you read chapter 2. Any thoughts, on that.
Chapter 2 was okay overall. I was a little confused at first because of the POV shift, but it doesn’t take long to get oriented.

One thing that threw me off: the boy’s body “fails” him during the escape, but later John seems able to run in that same body. Maybe I missed a detail, but it read as inconsistent.

The guard who beats John after getting hit felt a bit generic, even though his anger itself didn’t seem forced. The dialogue between him and the other guard (sorry, I forgot their names) also didn’t sound very natural to me, especially lines like “You think you’re better than me?” It felt a little too on-the-nose.

Lastly, the descriptions were the most off-putting part for me. A lot of the imagery/metaphors felt generic or unnatural, which pulled me out of the scene instead of grounding it.
 

abysslover12

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There's quite a few chapters there, so I'll check it out later and get back to you.
What I'll say for now, after reading the synopsis is this:
  • The EM Dashes are definitely excessive in the Blurb/Synopsis, and due to my own personal preferences on the topic, I'd pass on reading the story.
  • I'm also not a fan of there being child abuse as a major element of a story, so that'd also put me off reading it.
I will, however, keep my personal feelings out of the critique and feedback I give you when I do get around to it, but it most likely won't be until this weekend at the earliest.

As for the synopsis/blurb, you're leaning heavily on the generic isekai formula, which could work for some folks who like it, but that said, there isn't really much of anything that makes those foundations your own.

Sure, you may do that in the story (I don't know yet, Haven't read it yet), but you should probably consider doing it in the synopsis/blurb so your story stands out in the over-crowded genre.

Would you rather I leave the feedback here, or in the chapter comments?
John figured death was supposed to mean peace at last. His whole life got wrecked by heartbreak and betrayal and all that loss, so the grave ought to just end it there, right?.
But no, he wakes in the body of a child, dragged into the clutches of the Obsidian Covenant — a secret order that forges children into weapons.
At first, all he wants is quiet. But surrounded by others just as broken, John finds himself pulled into their struggle, swearing to protect what little hope they have left.
The god who put him here watches with cruel amusement, torturing him just for the sake of it...or maybe not. If John wants revenge, or even a chance at freedom, he’ll have to rise through the world of Cassiopeia, uncover the secrets binding him to this place, and turn his anger into something sharper than any blade.

Peace is gone. Now there’s only the vow: to kill the god.
***

I would like to say This story is kind of like a chimera. so, expect it to shift and evolve as the journey unfolds, never bound to a single genre.

How is the blurb compared to before?
 

Macha

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John figured death was supposed to mean peace at last. His whole life got wrecked by heartbreak and betrayal and all that loss, so the grave ought to just end it there, right?.
But no, he wakes in the body of a child, dragged into the clutches of the Obsidian Covenant — a secret order that forges children into weapons.
At first, all he wants is quiet. But surrounded by others just as broken, John finds himself pulled into their struggle, swearing to protect what little hope they have left.
The god who put him here watches with cruel amusement, torturing him just for the sake of it...or maybe not. If John wants revenge, or even a chance at freedom, he’ll have to rise through the world of Cassiopeia, uncover the secrets binding him to this place, and turn his anger into something sharper than any blade.

Peace is gone. Now there’s only the vow: to kill the god.
***

I would like to say This story is kind of like a chimera. so, expect it to shift and evolve as the journey unfolds, never bound to a single genre.

How is the blurb compared to before?
I like this one. Sounds like a Netflix original series directed by Adi Shankar. Anyway, why are you stalking Eldoria?
 

abysslover12

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I like this one. Sounds like a Netflix original series directed by Adi Shankar. Anyway, why are you stalking Eldoria?
Thank you, and what do you mean i am stalking eldoria? I’m not stalking anyone. I only interact with stories and profiles in the normal way readers do. I don’t know why you think I’m stalking Eldoria, but that’s not my intention at all. If there’s a misunderstanding, I’d be happy to clear it up.
 

Eldoria

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I like this one. Sounds like a Netflix original series directed by Adi Shankar. Anyway, why are you stalking Eldoria?

Thank you, and what do you mean i am stalking eldoria? I’m not stalking anyone. I only interact with stories and profiles in the normal way readers do. I don’t know why you think I’m stalking Eldoria, but that’s not my intention at all. If there’s a misunderstanding, I’d be happy to clear it up.

Hello... what does stalking mean? We're all friends here, sharing a same interest (fiction), at least that's what I believe.
 

Macha

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Thank you, and what do you mean i am stalking eldoria? I’m not stalking anyone. I only interact with stories and profiles in the normal way readers do. I don’t know why you think I’m stalking Eldoria, but that’s not my intention at all. If there’s a misunderstanding, I’d be happy to clear it up.
Hello... what does stalking mean? We're all friends here, sharing a same interest (fiction), at least that's what I believe.
Stalking is the NUF language for Last seen A moment ago · Viewing member profile Eldoria.
 

MFontana

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John figured death was supposed to mean peace at last. His whole life got wrecked by heartbreak and betrayal and all that loss, so the grave ought to just end it there, right?.
But no, he wakes in the body of a child, dragged into the clutches of the Obsidian Covenant — a secret order that forges children into weapons.
At first, all he wants is quiet. But surrounded by others just as broken, John finds himself pulled into their struggle, swearing to protect what little hope they have left.
The god who put him here watches with cruel amusement, torturing him just for the sake of it...or maybe not. If John wants revenge, or even a chance at freedom, he’ll have to rise through the world of Cassiopeia, uncover the secrets binding him to this place, and turn his anger into something sharper than any blade.

Peace is gone. Now there’s only the vow: to kill the god.
***

I would like to say This story is kind of like a chimera. so, expect it to shift and evolve as the journey unfolds, never bound to a single genre.

How is the blurb compared to before?
I'd say It's definitely better than before, by a long shot. It's enough to convey the themes, tone, and focus of the series quite nicely.
Personally it doesn't appeal to me much; but that's a matter of personal preferences towards the themes and series elements, not one of presentation of the synopsis/blurb.

You'll definitely pull in your target audience with that, as opposed to before.
 

abysslover12

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CHAPTER 0: PROLOGUE
The steady beep of the heart monitor filled the hospital room, each sound sharp enough to carve itself into John’s memory. His brother Alex lay in the bed, pale but smiling, a jacket draped across the chair beside him.
“Come here, kid,” Alex said, voice rough but warm. He reached out and squeezed John’s shoulder with surprising strength. “You’ve got to stop looking like the world’s ending. I’m not gone yet.”
John tried to smile. It didn’t quite stick. “Yeah… you’re right. I just… I don’t know what I’d do without you.”
Alex snorted. “Oh please. You’re a grown ass man. Stop acting like I’m about to ascend into the afterlife.” He leaned back slightly. “It’s going to take a lot more than this to kill me.”
John exhaled slowly. “That’s not very reassuring, considering you already look like you’re halfway there.” He chuckled. “Now that I take a closer look… you could actually pass for a zombie.”
Alex scoffed. “Wow. Straight to insults. Real comforting.”
Lisa tilted her head, feigning concern. “He’s not wrong, though. You really need a makeover.”
Alex stared at her, wounded. “Wow. From him, I expect nothing less. But you too?” He clutched his chest dramatically. “My heart. Oh you have killed me.”
John rolled his eyes. “Stop being a drama queen.”
“I will be as dramatic as I want,” Alex shot back. “How dare you insult this divine face?” He glanced at Lisa. “And especially you. I expect respect from my ‘MUCH’ younger sister-in-law.”
Lisa smiled and leaned closer to John. “Sorry but My baby comes first.”
John smirked. “Well, you heard her. Honestly, it might help if you had moved on and got a girl of your own. I don’t know why you’re so hung up on that one girl.”
Alex went quiet for a beat, then smiled faintly. “Well… forget it, you wouldn’t get it anyway.”
“Well, it was nice talking to you all, but I’m bored of you now, so you can go,” he continued, waving a hand. “Meanwhile, I’ll admire my divine face.”
John shook his head. “Narcissistic much.”
Alex ignored John for a moment and turned his face toward Lisa; his expression softened. He looked at her, voice gentler. “But on a more serious note, on the chance i close my eyes forever—take care of this crybaby for me. He’s a handful. Stubborn. Annoying.” He glanced at John. “But he is my brother and doesn’t have anyone else other than you and me, so I will have to rely on you.”
Lisa nodded without hesitation, voice soft. “Definitely.”
John’s face darkened and Alex noticed immediately. “Oh, don’t start,” Alex said. “This isn’t goodbye. It’s just… precautions.” He smirked weakly. “I’ll make it. Obviously.”
John nodded as if even he was trying to convince himself. “Yeah. You’re too stubborn to die like this.”
Lisa slipped her hand over John’s. “You won’t be alone,” she whispered. “I will always be with you.”
Alex chuckled, eyes flicking between them. “See? You’ve got someone who won’t let you drown. That’s more than most people get.”
The smile dropped from his face in an instant. “Okay, one last thing. John, come closer. Lisa, this is a secret, so close your ears.”
John, confused, leaned forward. Alex wore a look that said this was national security. “John, promise me. If by some miracle I die… listen to me clearly now… promise me you will delete my search history.”
John blinked, expecting something serious, then frowned. “Ah, grow up, you idiot. You almost gave me a heart attack there.”
Alex kept his face serious. “I need you to promise.”
John went serious for a beat, then smirked. “Of-course... not, hahah, I will make sure the shame follows you to the afterlife.”
Alex stared in disbelief. “Wow betrayed by my own flesh and blood. Unbelievable. I practically raised you. I even changed your diapers, and this is how you repay me?”
Lisa tired of closing her ear stepped closer, curious. “What are you two whispering about?”
Alex coughed. “Nothing important.”
John grinned. “Oh, he was just asking me—”
Alex flushed. “Hey, you little—”
Lisa laughed quietly. John smirked.
For a moment, everything felt right: the three of them together, laughing, teasing, holding onto something fragile. Hope, stubborn and small, refusing to let go.

***
But that was back then.
Rain blurred the streetlights into streaks of gold and white, turning the city into a trembling watercolor. Each drop stung against John’s skin, cold and sharp. His brother’s jacket, two sizes too big and frayed at the sleeves, clung to him like a memory refusing to let go. Heavy with water, it dragged at his shoulders, its warmth gone with the one who had worn it.
It wasn’t supposed to be him wearing it.
It wasn’t supposed to belong to someone gone.
A month ago, the jacket smelled of engine oil, metal polish, and his brother’s cologne. Now it smelled only of rain.
John didn’t remember when he started walking. He had been moving without direction so long that the streets had blurred into a maze of shadows. Cars slid through the storm like ghosts, horns cutting the night, but none of it reached him. His mind was caught in a single, looping truth:
His brother was gone. Forever.
And the world refused to make room for that fact.
His eyes burned, but no tears came. They had run out hours ago, drained dry. Everything inside him felt scraped hollow.
Except for one thing. One last thread he had left:
Lisa. His anchor. His person. His everything.
With numb fingers, he pulled out his phone and wiped at the screen. His sleeve only smeared the water more. He dialed her anyway.
It rang. And rang. And went to voicemail.
He tried again. And again.
By the third call, his shaking wasn’t just from the cold.
“Come on… Lisa…” he whispered, voice cracking. “Please pick up.”
The rain swallowed the plea.
He opened the locator app they had set up together, back when she teased him for being clingy, before cuddling closer and saying she liked it.
Her dot glowed steady on the map.
Home.
She was home.
So why wasn’t she answering?
“Maybe she’s asleep,” he told himself.
“Maybe she didn’t hear the phone.”
“Maybe—”
No. He knew a lie when he heard one, even from himself.
“If she won’t answer,” he whispered, gripping the phone like it was the last warm thing in the world, “I’ll go to her.”
The storm worsened by the time he reached her neighborhood, rows of immaculate houses behind iron gates, gardens trimmed by people paid more per hour than he ever made.
Lisa’s house stood near the top of the hill, radiating warm yellow light from the windows. It looked peaceful. Safe. The kind of place grief shouldn’t be allowed to enter.
John stood there for a moment, chest tightening.
They came from two different worlds. He had known that since the day she smiled at him in the school hallway: beautiful, sharp, confident, everything he wasn’t.
And she chose him anyway.
Or at least, he believed she did.
He swallowed hard and walked up the steps. Rain dripped from his hair, his clothes, the sleeves of his brother’s jacket.
As he reached for the doorbell, he noticed something.
The front door was slightly open.
A soft dread twisted in his stomach. “Lisa?” he called, voice barely above a whisper. No response.
He stepped inside.
The house smelled of warm vanilla and something floral, her perfume lingering in the air. Two pairs of shoes sat by the door. One pair was hers. The other wasn’t.
His heart lurched.
No, he refused to believe that.
He moved through the hallway, footsteps quiet, breath caught in his chest. Lamps cast a soft glow over the walls, shadows shifting gently with the storm outside.
Then he heard it.
Her voice. Soft. Muffled. Coming from the bathroom at the end of the hall.
And a man’s voice answering.
John froze mid-step.
He didn’t want to move closer. He didn’t want to feel the pain that came with knowing what was behind that door.
But he got closer anyway.
“Eliyas… wait,” Lisa’s voice came again. “John called earlier. A lot. I should pick up. Something might be wrong.”
Eliyas.
Of all people it was Eliyas, the king of jerks, but of course it made sense he was after-all. The star athlete. The rich kid. The one her parents liked the most.
His voice came out smooth, bored, dripping with entitlement.
“Oh, come on. What could be more important than this?”
John’s pulse pounded like a war drum. His fingertips went numb.
Lisa sighed. “I don’t know. It felt urgent.”
Eliyas scoffed. “I thought you were going to break up with him, Why are you acting like you even care?”
Something inside John twisted painfully, like someone had slid a knife between his ribs and was slowly turning it. He heard her voice continue.
She spoke quietly, her voice fragile. “I am going to break up with him… I just need more time. I really do care about him, just… it is not in the same way as before.”
She smiled sadly. “You know, we had something, he and I. He was so good to me. But he still treats me like I’m the girl I was when we first met, the girl who believed everything would work out. I’ve changed. And he doesn’t see it. He doesn’t get me anymore.”
Eliyas stepped closer to her; John could hear the shift, the subtle rustle of clothing.
“Blah, blah, blah… I don’t want to hear about that loser anymore,” Eliyas said smoothly, his voice dripping with arrogance. “What I want… is to savor this moment and forget everything else.”
Something splintered inside John’s chest, sharp and sudden, like a crack running through stone.
He didn’t remember walking. Didn’t remember deciding.
His hand simply pushed open the bathroom door.
Lisa and Eliyas spun toward him.
Lisa’s eyes went wide. “J...John, what are you doing here?”
Eliyas straightened, annoyance flickering across his face. “Well. This is awkward.”
John stared at Lisa first.
Her hair was damp, cheeks flushed, wrapped in a towel. She looked guilty. Not surprised. Not truly.
“So this is it?” he whispered. “Was this all we ever had?”
Lisa stepped toward him instinctively. “John… just wait. Let me explain.”
“Explain?” he laughed, voice breaking. “Lisa, I heard everything.”
Eliyas leaned back, lips curling. “Nice, saves us all that cringe drama.”
Lisa shot him a glare. “Enough, Eliyas.”
John swallowed hard, ignoring Eliyas and just looking at her. “Did you mean what you said? That I don’t get you anymore. I don’t understand you. If you really believed that, then why did you promise you will always be with me? Why did you make me believe you LOVED ME?”
Lisa’s eyes softened, pain flickering through them. “John, I… I didn’t want you to find out like this.”
“Then how?” His voice rose slightly. “Over a text? Weeks later? Never?”
She flinched.
Lisa’s voice trembled. “I tried. I really did. But every time I needed you, you were somewhere else. In your head. In your grief. In your pain. I know you’re concerned about your brother’s health, and I understand. But what about me? Where were you when I needed you?”
John’s jaw clenched. “So, your answer was to cheat! With this guy of all people? I thought I knew you. I thought you were different from everyone else, but I was wrong.”
Lisa looked down. “I—”
Eliyas cut in, his tone dripping with disdain. “Oh, quit whining. You can’t blame her for wanting someone who can actually take care of her, not… a nobody like you.”
John snapped. He shoved Eliyas back into the wall. The impact rattled the frame. Eliyas cursed and swung, but John was faster. Stronger. He caught the punch, twisted his arm, and slammed him again.
“Who’s the nobody now?” John spat.
Lisa gasped and rushed forward. “Stop! John, stop!” She grabbed his wrist.
He expected her to pull him away gently.
Instead, she slapped him.
The sound cracked through the hallway like lightning.
John froze, his cheek stinging. “You hit me… for him?”
Lisa trembled. “I’m trying to stop you. Please john, I don’t want you to do something you’ll regret.”
Eliyas laughed breathlessly behind them. “See? She’s made her choice. So fuck off.”
Something inside John hollowed out completely. He let go of Eliyas and stepped back from Lisa.
“So that’s it?” His voice was barely a breath. “Everything we were… everything I gave… it meant nothing?”
Lisa shook her head frantically. “It wasn’t nothing. I did love you—”
“Did?” he echoed.
Her silence was answer enough.
John nodded slowly, a bitter smile twisting his lips. “Okay. I get it.”
Lisa stretched out her hands toward him. “John, please—”
John looked at her, his voice flat. “Well, at least you don’t have to worry about my brother anymore.”
Lisa’s brow furrowed. “What do you—”
But he didn’t let her finish. He couldn’t stay there another second, couldn’t breathe in that house filled with betrayal and broken promises. He turned and walked out.
Lisa called after him, her voice shaking. “John...wait!”
He didn’t.
Couldn’t.
The storm swallowed him whole.
Rain hit like icy bullets. Cars blurred past, horns blaring distantly. His mind was a mess: his brother’s laugh, Lisa’s voice, Eliyas’s mocking tone, the sting of her slap.
He didn’t feel the cold anymore.
He didn’t hear the screech of tires.
Didn’t see the headlights.
Only one voice cut through—Lisa’s scream.
“John!”
It was the last thing he heard before everything went dark. (Was hoping for some feedback on this)
 

Eldoria

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Was hoping for some feedback on this
I'll be honest and maybe a little harsh.

First, your prologue is like any mainstream Chinese manhua or novel I've ever read. It's very typical... a protagonist with a sick (and then deceased) family member and a cheating lover.

I understand you might want to create a tragic and complex protagonist. But this kind of plot feels cheap... some people will be immediately allergic to the NTR element in the prologue.

A prologue is supposed to provide a hook for new readers to connect with your fiction. Presenting NTR drama like this might hurt readers and turn them away, rather than making them applaud.

So, your conflict is too cheap - it might be harsh, but I don't like prologues like this either. Can you create a more human and dignified MC character, even if it's tragic?

In this case, I appreciate manhwa that present more human drama and MC. Try reading manhwa and comparing it with manhua to see the differences. Maybe you'll find a better formula for designing a human, even if tragic MC.

Second, from a writing perspective... your chapter is full of long dialogues. Honestly, I had a hard time identifying who was speaking, especially since you introduced three characters without any introduction—and immediately launched into a long dialogue.

Could you give a proper introduction before going into such a long dialogue? Well, you can introduce your characters with action or dialogue—that's fine. However, even dialogue should have something that stands out to make the reader care about your characters.

For example, by designing a humorous yet tragic voice. You do seem to try (the protagonist's sick brother makes a joke before dying). However, it feels more like a forced dark comedy, rather than born from the character's personality.

My suggestion is that you could make the hospital room scene more subtle and symbolic. There are many references you could use to build this scene... like the scene where Kaori is visited by Arima Kousei in the hospital (watch the anime Kimi no Uso).

Observe how the atmosphere is built, the dialogue between Kaori and Arima, the items they carry, and their expressions. All of this is written to narrate the conflict of the sick character. Please write a more grounded scene that will make the reader cry.

Third, your characters are more like 2D characters than living (3D) characters. It's oversimplified, as if they were more like plot devices.

Your protagonist... I don't see anything special about him. I can't identify any personality other than a character forced into a tragic situation after the death of his sibling and the betrayal of his girlfriend. And his girlfriend?

Well, she's more like a cheap villain who appears for one chapter and annoys people before disappearing (or being killed off by the plot). Her betrayal is too cheap.

Characters like this in manhua will likely regret it later, cry, and beg the MC to get back together. Why?

Because she has no personality... she's more like a plot device whose purpose is to validate the MC's future achievements. She's just a plot character, not a living character who can feel, think, have a personality, and moral values.

Please make the characters more humane... imagine the characters living in their own world, instead of characters being forced into the plot.

Fourth, you're lacking in character visualization. It's best to narrate your character's distinctive appearance through actions to make them memorable to readers.

You can describe their hair, eyes, clothing style, and even their gait, rather than simply labeling them with names.

Names are meaningless if readers can't differentiate between characters. Design iconic, easily recognizable characters.

Fifth, please format your chapters better to be mobile-friendly. Each paragraph should be 1-3 sentences long, separated by a line.

Separate dialogue between characters to easily identify who is speaking. Separate dialogue from descriptions or explanations by the narrator.

And combine dialogue with body language only to reinforce a single meaning.

Sixth, perhaps reinforce the principle of show it, don't tell it. Your narrative is still more telling than showing.

That's not wrong. However, too much telling will reduce immersion. You can create character emotions more subtly with body language, circumstances, and symbolism.

Use showing to narrate crucial moments and use telling to strengthen the narrative.

Finally, I've rambled a lot. My criticism may be biased. After all, I only read one chapter of yours, and perhaps the average reader will only read one prologue before deciding whether to continue or stop.

Please improve your narrative. Sorry if my words are too harsh. Good luck!

Regards.
 
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