Jemini
Well-known member
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- Jan 27, 2019
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Dr. Jordan Peterson says that dreams are your brain's attempts to interpret reality, and they do a much better job than we give them credit for.
The idea is that when we tell a story with words, we tend to use a lot of specifics in our details and we focus so deep into those specifics that we loose some of the context. What dreams do is they cut out all those specifics and instead they give us a broader view that can encompass all of the context.
Thing is, you can only have one or the other when it comes to balancing context and specifics. We do such a good job with specifics in our day to day that we need dreams to give us the context.
The point in all of this, and why I bring up Jordan Peterson specifically in this, is because he talked about this in his study of ancient mythology. Primarily, Babylonian and Christian (old testament specifically, so I suppose you could say Judaism instead.) And, he relates these stories to dreams. Babylonian mythology finds it's echoes in every other mythology moving forward through history, and the Bible is the number one best selling book of all time. So, it might be worth considering this point of view.
So, the idea is to think about how this broader view writing, that is more heavy in symbiology in order to encompass things about the world that you might miss if you get too bogged down in the specifics. Try to drop some real truths that will resonate with the reader. Not by focusing in on those truths and beating your reader over the head with it, but by weaving it in subtly to the context of your story. Never the central point or focus, just something that's constantly an underlying theme or a thing going on in the background.
The trick in this though is to never beat your reader over the head with it. In fact, don't even draw attention to this. Let it be discovered. This is something that will only work if you manage to find a real truth of the world, and you have to be honest and not driven by your political hobby horse in order to pull it off. A message like "human cruelty knows no bounds" would be far more effective than "the white man's slavery is evil." (Actually, slavery is evil might just barely squeak past, but that 'white man' part is a specific, and specifics will make this effect dissolve and fall apart in an instant.)
Overall though, the point is to improve the feel and impact of your writing rather than to push a message. So, that "human cruelty knows no bounds" message is very unhelpful in giving any kind of call to action to your audience. Your readers don't want to see that. It will alienate them. It will loose you readers. You don't want to loose readers, therefore YOU don't want to put a call to action in your writing either. Just stick to the messages that create a mood and ambiance to your story by using these real world truths.
The idea is that when we tell a story with words, we tend to use a lot of specifics in our details and we focus so deep into those specifics that we loose some of the context. What dreams do is they cut out all those specifics and instead they give us a broader view that can encompass all of the context.
Thing is, you can only have one or the other when it comes to balancing context and specifics. We do such a good job with specifics in our day to day that we need dreams to give us the context.
The point in all of this, and why I bring up Jordan Peterson specifically in this, is because he talked about this in his study of ancient mythology. Primarily, Babylonian and Christian (old testament specifically, so I suppose you could say Judaism instead.) And, he relates these stories to dreams. Babylonian mythology finds it's echoes in every other mythology moving forward through history, and the Bible is the number one best selling book of all time. So, it might be worth considering this point of view.
So, the idea is to think about how this broader view writing, that is more heavy in symbiology in order to encompass things about the world that you might miss if you get too bogged down in the specifics. Try to drop some real truths that will resonate with the reader. Not by focusing in on those truths and beating your reader over the head with it, but by weaving it in subtly to the context of your story. Never the central point or focus, just something that's constantly an underlying theme or a thing going on in the background.
The trick in this though is to never beat your reader over the head with it. In fact, don't even draw attention to this. Let it be discovered. This is something that will only work if you manage to find a real truth of the world, and you have to be honest and not driven by your political hobby horse in order to pull it off. A message like "human cruelty knows no bounds" would be far more effective than "the white man's slavery is evil." (Actually, slavery is evil might just barely squeak past, but that 'white man' part is a specific, and specifics will make this effect dissolve and fall apart in an instant.)
Overall though, the point is to improve the feel and impact of your writing rather than to push a message. So, that "human cruelty knows no bounds" message is very unhelpful in giving any kind of call to action to your audience. Your readers don't want to see that. It will alienate them. It will loose you readers. You don't want to loose readers, therefore YOU don't want to put a call to action in your writing either. Just stick to the messages that create a mood and ambiance to your story by using these real world truths.