Roast my First Chapter.

Suffering

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So, I have edited my first chapter one last time.
I want to know whether it is working or not.
Here:
Chapter - 01: Melted Investment


Read the chapter, tell me what it lacks.
  • Is it too slow?
  • Is Kael working as a Protagonist?
  • Where can it be improved?
  • If it feels like padding?
  • Also, tell me if you like something in it as well.

Be as ruthless as you want and dissect the chapter.
 

AliceMoonvale

Memehead. Hell Priest of Memes.
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You already prevented me from even wanting to read the first chapter.
Why? Because your protagonist's name is Kael.

Kael is a very commonly used name generated by chatgpt when you ask it for fantasy male names.
For example, on Royal Road, people are advised quite often to change protagonist names that use Kael, or even people's usernames that use the name Kael to avoid being scrutinized for potential ai usage in their stories.
 

Suffering

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You already prevented me from even wanting to read the first chapter.
Why? Because your protagonist's name is Kael.

Kael is a very commonly used name generated by chatgpt when you ask it for fantasy male names.
For example, on Royal Road, people are advised quite often to change protagonist names that use Kael, or even people's usernames that use the name Kael to avoid being scrutinized for potential ai usage in their stories.
No worries, I can't do anything about it now, but thanks for replying.
 

MC-Stories

The Wandering Dragon Storyteller
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You already prevented me from even wanting to read the first chapter.
Why? Because your protagonist's name is Kael.

Kael is a very commonly used name generated by chatgpt when you ask it for fantasy male names.
For example, on Royal Road, people are advised quite often to change protagonist names that use Kael, or even people's usernames that use the name Kael to avoid being scrutinized for potential ai usage in their stories.
What about Alex, is that a good name?
 

Ellie_in_Pink

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Okay, as long as you are consenting to being roasted, and it's all in good fun. I never like to discourage someone, no matter what their skill level, from continuing to write.

Kael sat on the bench with a white ice cream melting in his hands.

Ah, white ice-cream, that famous flavor. That's what I always get. Unless I want my other favorite flavor, brown. I sure hope we focus on him not eating his white icecream for the next twelve paragraphs. That would be swell.

Then his wrist screamed.

Fuck, nobody told me I was reading Parasyte fanfiction. I want my money back.

"It's Time, hm..."

I too always let out a sultry moan after I check what time it is.

“Kid, is this your family? Why aren’t they here?”

Ah yes, very natural dialogue. Not stilted or an obvious wagon hauling an unwanted exposition dump at all.

“They are not in the world anymore.”

I don't know if I'd be more annoyed if he literally meant they were on another world, or if he just has a habit of speaking like a Prophet of Atom.

A tear formed in the corner of his eye. But he didn’t let it fall. He crushed the photo in his hands and dropped it. It flew with the wind before it could touch the ground.

Queue: "I walk a lonely road, the only road that I have ever known. Don't know where it goes, but it's only me and I walk alone."

Kael stood before the entrance, his eyes adjusting to the absence of sun.

I already miss it.

Along with his white-flavored ice-cream.

INFECTION IS DANGEROUS.
IT IS EATING YOU.
WE WORK FOR FREE.

Water is wet
It makes up most of your body
This is dystopian

Kael almost laughed. Don't worry, lady. I'm just as thrilled to be here.

Kael is so clever, it makes me relate to him. I too think of smart-ass things I could say when I'm crying in the shower.

We're going down.
They built it as a skyscraper,
and we're going down.

Your haiku needs work

The lady’s voice pulled him out of his thoughts. Tiny droplets of salt and water clung to her forehead.

That's some pretty spicy attention to detail, this kid needs a girlfriend

That’s the best encouragement I’ve ever received.

His family must suck if this is the best encouragement he's ever received. I, for one, I'm glad that they're stranded on another world. Probably eating their own white ice-cream without him. Bastards.

He crushed the memories and threw them out, like throwing away another photograph.

"I walk these empty streets, on a boulevard of broken dream. And it's only me and I walk alone!"

He opened his eyes. The display read -2. He wondered how deep -9 would be.

Uhm ... I may just be a simply country gal. But I reckon that would be about 9 floors beneath ground level


And thus, I conclude the chapter. That was fun, thank you. In all seriousness, you are playing with your prose, testing your writing muscles. And really, that's all great. The more you work at it, the better you'll get at it. Now, for your specific questions.


  • Is it too slow?
Nah, just a bit tedious. Cut out all the unneeded exposition, and that problem will be much better.
  • Is Kael working as a Protagonist?
He is passable in that he is not very defined yet. Cut a little more of the exposition backstory, and focus a little more on giving him a distinct voice. And tone down the emo bits, unless him being emo is a comedic thing you are doing on purpose.
  • Where can it be improved?
Work a little bit more on story-building through interaction with the world. Give everything a bit more concrete detail that the protagonist actually has to interact with. You accidentally do this with the sweat detail when he meets the woman in the end. Because he's focusing on that detail, it makes it seem like part of his character is attraction to sweaty ladies. Now, I don't think you did that on purpose. But it's a good example of something you could learn to use to make your character-building a little more natural, instead of letting it work against you.
  • If it feels like padding?
Honestly, I'm glad that you're taking a bit more time with your scenes. That's a thousand times better than writers that skim past building any kind of atmosphere.
  • Also, tell me if you like something in it as well.
The white icecream.
JK
No, what I really like is that I see someone making an honest effort to try things. Being brave, playing with words, setting scene, working on building a voice. Even if none of those are where they need to be yet, the effort is obvious, and it is commendable

Hope that helps, best of luck!
 

Worthy39

The protagonist's third cousin, twice removed
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Didn't feel like it. Decided to boil it instead.
1000118458.jpg
 

Suffering

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And thus, I conclude the chapter. That was fun, thank you. In all seriousness, you are playing with your prose, testing your writing muscles. And really, that's all great. The more you work at it, the better you'll get at it. Now, for your specific questions.
Thank you for the detailed roast, it was exactly as I wanted, funny and constructive.

And tone down the emo bits, unless him being emo is a comedic thing you are doing on purpose.
Fair point. Some of that is intentional (Kael is exhausted and hollowed-out, not just sad), but I'll keep an eye on where it tips from character voice into melodrama.

He is passable in that he is not very defined yet. Cut a little more of the exposition backstory, and focus a little more on giving him a distinct voice.
tbh, the guards scene was cliche, even to me - I was just being lazy. Now, since you pointed it out as well. I have rewritten the whole scene.
The guards at the entrance noticed him before he reached the gate. Two of them, black suits and posture stiff. Their eyes, which were unfocused till now, locked on Kael, scanning every inch of his body. The torn clothes barely hide the skin beneath.


"Hey, stop." One of them stepped forward, hand raised towards Kael.


"Who are you an infected?"


Kael stopped, his half-lidded eyes widening back into focus. The guard was staring at his exposed forearm, where something darker than blood seeped from the pores, thick and slow, swallowing the sunlight.


"Yes."


He answered, then tapped his watch to open something and thrust his arm towards them. The guard scanned the data. Then he looked back at Kael, the hard, tense expression smoothed into something resembling the sad, helpless look Kael had received a thousand times.


"Okay," the guard said, quieter. "You can go, once we check you."


The guards closed the distance.


Hands patted him down, efficiently and professionally. Pockets, seams, and belt line. One guard found the photo tucked inside his jacket. He took it out. And Kael's stomach twisted slightly.


The photo was of a family. The guard looked at it, then at Kael. Then said, in a comforting tone.


"I am sorry, kid. But, you can't carry it inside."


"I see."


Kael replied, then reached out and took the photo. He looked at it – Kael, younger, less hollow. A small girl grinning with missing teeth. A woman with a face wrinkled from years of factory air, but soft, lustrous eyes. A father who looked like a shell, even then.


A tear formed in the corner of his eye.


He handed the photo to the guard.


"I don't know what to do with it."


The guard calmly took it, with a smile that conveyed trust.


Then, he wiped his face, and the tear disappeared on his hands.


“Can I go in now?”


The guards exchanged a glance, nodded slightly, then stepped aside.


“Yeah. Go on.”


Kael walked past them, into the massive shadow of the building. The interior swallowed him whole. His smile finally faded into something tired and almost peaceful.


Finally, I can sleep.

Feels more natural to me now, but I'm curious if it lands the same way for you.

Work a little bit more on story-building through interaction with the world. Give everything a bit more concrete detail that the protagonist actually has to interact with. You accidentally do this with the sweat detail when he meets the woman in the end. Because he's focusing on that detail, it makes it seem like part of his character is attraction to sweaty ladies. Now, I don't think you did that on purpose. But it's a good example of something you could learn to use to make your character-building a little more natural, instead of letting it work against you.
On the sweat detail — you are right that it reads as oddly intimate without context. I wasn't going for attraction, but I can see how it lands that way. I've adjusted it so it's clearer he's reading her fear, not staring at her forehead.

No, what I really like is that I see someone making an honest effort to try things. Being brave, playing with words, setting scene, working on building a voice. Even if none of those are where they need to be yet, the effort is obvious, and it is commendable

Hope that helps, best of luck!
It genuinely helped a lot. Thanks for giving it your time.
 

FRWriter

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So, I have edited my first chapter one last time.
I want to know whether it is working or not.
Here:
Chapter - 01: Melted Investment


Read the chapter, tell me what it lacks.
  • Is it too slow?
  • Is Kael working as a Protagonist?
  • Where can it be improved?
  • If it feels like padding?
  • Also, tell me if you like something in it as well.

Be as ruthless as you want and dissect the chapter.

It's not bad at all. However, I don't see any particularly interesting or unique hook, and the writing feels a little stiff, a little like a translation.

It's still much better than other stories, which have to resort to promoting their own garbage again and again and even invade other people's posts.
1779355397449.jpeg
 

Suffering

New member
Joined
Jan 12, 2026
Messages
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Points
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Didn't feel like it. Decided to boil it instead.
This was good.
Wish I had some comebacks.
It's not bad at all.
Thanks for giving it a read.

I don't see any particularly interesting or unique hook
I wanted to start with a slow-burn atmospheric hook, but I have been wondering about that.
The solution I came up with was to merge the first and second chapters, as it has the hook. I just didn't feel like doing it.
But now I am having second thoughts about it.
Thanks for pointing this out. I will try to do something about it.

writing feels a little stiff, a little like a translation.
I don't really understand what you mean by it. It would help a lot if you could elaborate with some examples, in the meantime, I will revisit the prose and check if I can find that stiffness.

It's still much better than other stories, which have to resort to promoting their own garbage again and again and even invade other people's posts.
Thanks again.
 
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