⚠️ Reviews Wanted ⚠️

Evil-Empire

New member
Joined
Nov 8, 2023
Messages
21
Points
3
I read the prologue and first chapter of Ultrabeasts and will tell you my thoughts based on that.

First, the good; you can construct readable sentences and you understand how paragraphs work. I didn't have a difficult understanding what was going and the story flows from paragraph to paragraph in a way that feels natural to read.

However, the first chapter is more a less a rehash of the prologue with some dialogue added in. There's no point to having the prologue since the first chapter reiterates everything already stated in the prologue.

Worse, the story contradicts itself. First it's stated the characters have little or no clue what's about to befall them but then in the space of a single paragraph you have one of the characters deciphering ancient texts warning of a impending catastrophe. This contradiction is repeated more than once.

I realize the prologue and first chapter are foreshadowing but it's heavy handed. In the space of a few paragraphs you tell the readers there's a catastrophe on the way which no one knows about except the characters who are seeing the signs of this oncoming disaster. Instead of hitting us with exposition telling us about the signs you would be better off with a longer chapter or chapters showing your characters discovering these signs over a period of time and struggling to understand the information they've stumbled upon.

It's clear you're writing using omniscient viewpoint in that you jump from one character to the next in the space of paragraph. It's a perfectly valid viewpoint to write from I suppose but amateur authors on the internet rarely handle it well. You would be much better off choosing a single viewpoint character and writing the story from their point of view. Otherwise you're quite likely to write a story where you change character viewpoints at the drop of a hat. This is precisely why I tend to write in first person, to forcefully keep myself from making the same mistakes.
 

Redadam04

【Human Savant of True Almighty God】
Joined
Aug 31, 2020
Messages
187
Points
133
I am quite new to the world of writing as I only mostly read books but I really want to get into writing novels too. Just asking to review my books:

[WIP]: https://www.scribblehub.com/series/...god-an-actor-reincarnated-into-another-world/
[Completed]: https://www.scribblehub.com/series/850838/ultrabeasts-darkness-descends/
I'm a bit serious of making reviews. Is that okay with you?
Review:

Here's what I read today.

Name: Ultrabeasts Darkness Descends

Story Progression: It is pretty good. You add some classical words out of ordinary. I can picture the scenes inside my head.
I love how Alex and his mates are growing and mature at the same time.
You add some spice to make a challenges. But it is lacking of intense power to ignite the heart of the readers like me. Maybe for some of us, they will feel the tremendous effort of the protagonist.
The side characters need more development. The world building could expand for more and this volume has a potential progression if you consider some of the side characters that has been introduced.
It could be interesting to add some moral lessons.

Grammar: Honestly, it is a bit odd for the others that they will encounter a present perfect and present tense paragraph structure. For me, I dont mind. It coud add more features. ❤️❤️❤️❤️❤️

Characters: Pretty normal. Nothing bad. Their description is complete.

Overall: Its cool and good. I am no perfect reviewer, so forgive me. Thank you for your work.

Comment: it would be good to extend it from 13,500 to 89,000 words. The
 
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TsumiHokiro

Just another chick in the universe
Joined
Nov 1, 2023
Messages
804
Points
93
I'm a bit serious of making reviews. Is that okay with you?
Review:

Here's what I read today.

Name: Ultra Beast of Darkness

Story Progression: It is pretty good. You add some classical words out of ordinary. I can picture the scenes inside my head.
I love how Alex and his mates are growing and mature at the same time.
You add some spice to make a challenges. But it is lacking of intense power to ignite the heart of the readers like me. Maybe for some of us, they will feel the tremendous effort of the protagonist.
The side characters need more development. The world building could expand for more and this volume has a potential progression if you consider some of the side characters that has been introduced.
It could be interesting to add some moral lessons.

Grammar: Honestly, it is a bit odd for the others that they will encounter a present perfect and present tense paragraph structure. For me, I dont mind. It coud add more features. ❤️❤️❤️❤️❤️

Characters: Pretty normal. Nothing bad. Their description is complete.

Overall: Its cool and good. I am no perfect reviewer, so forgive me. Thank you for your work.

Comment: it would be good to extend it from 13,500 to 89,000 words. The
The?
 

TsumiHokiro

Just another chick in the universe
Joined
Nov 1, 2023
Messages
804
Points
93
Comment: it would be good to extend it from 13,500 to 89,000 words. The
The???
I am quite new to the world of writing as I only mostly read books but I really want to get into writing novels too. Just asking to review my books:

[WIP]: https://www.scribblehub.com/series/...god-an-actor-reincarnated-into-another-world/
[Completed]: https://www.scribblehub.com/series/850838/ultrabeasts-darkness-descends/
Having read the prologue of both your novels, I have come to offer you a few considerations. Please, do understand, if I am excessively harsh, it is only the opinion of this uncultured reader.

Both novels have the same narrative approach to the plot: you deliver a story to us without any reasons as to why we should care for it. I did not understand at all why should I sympathise with a dying actor's last moments of life. Especially when this actor seems to have gone to the stage to deliver a theatrical last performance of his death. As for the city one, I was slightly interested but then, you begin to throw at your reader characters that are for some reason there.
Your characters do not seem to have personality from the start, instead, being used as a ploy to say "look, I have people who will guide my story", which made me instead wonder that the main character was instead, the catastrophe. Which would actually be interesting, but a cursory reading of your first chapter in this case made me realise that no, they were to be the guides of the plot.
Also, you deliver your story in the way you would expect to find in a theatre piece. Where people have already heard in advance what the story is about, what the main plot is about, what they should be expecting of it. It is not a fault of the type of narrator that you chose, however, before someone goes and further says "first-person" narrator. Those are indeed easier to sympathise with, but it is not because I am not inside the character's mind that I can not form rapport with them. And this word, rapport, is exactly what you fail to make people feel for your characters.
You deliver dry lines of their description. In the case of "Realms of God", you are describing the death of an actor while on stage. I guess if I was an actor I might have felt the pain of their approaching death and the urge to be standing on the stage. But the way you have written, that does not interest this chick, not in the least.
Also, I have noticed a flagrant incongruence between your text and your images: the actor should have black hair! I remember reading your story before you actually added those images. I think you had done a better job of keeping consistent without them. Do mind what kind of images you generate with an A.I. next time. Readers will notice this kind of thing...
As @Evil-Empire has said, you also make some real strange leaps in your narrative. In the space of a single paragraph, an archaeologist uncovers, deciphers and is suddenly aware of future events, whereas previously, you had been quite wordy to describe the space of what the reader had assumed to be sequential events. This repeats itself in your other novel. Where your lead is almost keeling over due to pain and agony, he suddenly seems to have a normal conversation with who knows who, and walks safely away.

To sum it up, if you let me say it, your stories are desperately lacking in motive. Why should I, the reader, care about your stories? You presented to me some real great work of English, there were some mistakes here and there, nothing really serious though, but as a story, it would not convince me to keep reading you any further.
Your motives are shallow. A future world catastrophe? But you do not captivate your readers with reasons of why they should be worried about this world that is not theirs! The death of an Actor? So what? The way he was going to the other side was proving to be more interesting than the way he readily replied to the hand that saved him! Actually, it all seemed more like an intricate play to me, considering how fast the actor was able to recover from what should have been chest pain enough to kill him!
Well, I do hope this huge wall of text is of some use to you. As for me? I probably never was your intended target at all! I'm just a chick who is waiting on the sidelines looking for food.
Have a good day, Proud Author.
 
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SworderZaciano

Active member
Joined
Dec 8, 2022
Messages
16
Points
43
The???

Having read the prologue of both your novels, I have come to offer you a few considerations. Please, do understand, if I am excessively harsh, it is only the opinion of this uncultured reader.

Both novels have the same narrative approach to the plot: you deliver a story to us without any reasons as to why we should care for it. I did not understand at all why should I sympathise with a dying actor's last moments of life. Especially when this actor seems to have gone to the stage to deliver a theatrical last performance of his death. As for the city one, I was slightly interested but then, you begin to throw at your reader characters that are for some reason there.
Your characters do not seem to have personality from the start, instead, being used as a ploy to say "look, I have people who will guide my story", which made me instead wonder that the main character was instead, the catastrophe. Which would actually be interesting, but a cursory reading of your first chapter in this case made me realise that no, they were to be the guides of the plot.
Also, you deliver your story in the way you would expect to find in a theatre piece. Where people have already heard in advance what the story is about, what the main plot is about, what they should be expecting of it. It is not a fault of the type of narrator that you chose, however, before someone goes and further says "first-person" narrator. Those are indeed easier to sympathise with, but it is not because I am not inside the character's mind that I can not form rapport with them. And this word, rapport, is exactly what you fail to make people feel for your characters.
You deliver dry lines of their description. In the case of "Realms of God", you are describing the death of an actor while on stage. I guess if I was an actor I might have felt the pain of their approaching death and the urge to be standing on the stage. But the way you have written, that does not interest this chick, not in the least.
Also, I have noticed a flagrant incongruence between your text and your images: the actor should have black hair! I remember reading your story before you actually added those images. I think you had done a better job of keeping consistent without them. Do mind what kind of images you generate with an A.I. next time. Readers will notice this kind of thing...
As @Evil-Empire has said, you also make some real strange leaps in your narrative. In the space of a single paragraph, an archaeologist uncovers, deciphers and is suddenly aware of future events, whereas previously, you had been quite wordy to describe the space of what the reader had assumed to be sequential events. This repeats itself in your other novel. Where your lead is almost keeling over due to pain and agony, he suddenly seems to have a normal conversation with who knows who, and walks safely away.

To sum it up, if you let me say it, your stories are desperately lacking in motive. Why should I, the reader, care about your stories? You presented to me some real great work of English, there were some mistakes here and there, nothing really serious though, but as a story, it would not convince me to keep reading you any further.
Your motives are shallow. A future world catastrophe? But you do not captivate your readers with reasons of why they should be worried about this world that is not theirs! The death of an Actor? So what? The way he was going to the other side was proving to be more interesting than the way he readily replied to the hand that saved him! Actually, it all seemed more like an intricate play to me, considering how fast the actor was able to recover from what should have been chest pain enough to kill him!
Well, I do hope this huge wall of text is of some use to you. As for me? I probably never was your intended target at all! I'm just a chick who is waiting on the sidelines looking for food.
Have a good day, Proud Author.
Thanks for the review man. Appreciate your reading it. Yes, I do realise the Realms of God story is quite ‘not up to the standards’, even for me as the writer. I have removed it for now and plan on bringing it back only after I’m satisfied with what I plan on writing. And yeah, I should be more careful about AI images. I didn’t actually notice that.

Once again, thanks for the response.

Your true author,
Swordist
The what????
I read the prologue and first chapter of Ultrabeasts and will tell you my thoughts based on that.

First, the good; you can construct readable sentences and you understand how paragraphs work. I didn't have a difficult understanding what was going and the story flows from paragraph to paragraph in a way that feels natural to read.

However, the first chapter is more a less a rehash of the prologue with some dialogue added in. There's no point to having the prologue since the first chapter reiterates everything already stated in the prologue.

Worse, the story contradicts itself. First it's stated the characters have little or no clue what's about to befall them but then in the space of a single paragraph you have one of the characters deciphering ancient texts warning of a impending catastrophe. This contradiction is repeated more than once.

I realize the prologue and first chapter are foreshadowing but it's heavy handed. In the space of a few paragraphs you tell the readers there's a catastrophe on the way which no one knows about except the characters who are seeing the signs of this oncoming disaster. Instead of hitting us with exposition telling us about the signs you would be better off with a longer chapter or chapters showing your characters discovering these signs over a period of time and struggling to understand the information they've stumbled upon.

It's clear you're writing using omniscient viewpoint in that you jump from one character to the next in the space of paragraph. It's a perfectly valid viewpoint to write from I suppose but amateur authors on the internet rarely handle it well. You would be much better off choosing a single viewpoint character and writing the story from their point of view. Otherwise you're quite likely to write a story where you change character viewpoints at the drop of a hat. This is precisely why I tend to write in first person, to forcefully keep myself from making the same mistakes.
Thanks for the advice man. Yes, I myself thought about the contradiction after publishing. I’ll be more careful ‘bout that from next time.

Your true author,
Swordist
 
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