Writing Handling extremely sensitive subject matter in fiction... how?

TinaMigarlo

Apparently my pronouns are now: "it". Thanks, guys
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I'm late to the party.
Rape.
I decided a "worst case scenario" rape for a psych student getting into rape therapist work, would be the way to deal with that.
I refused to have the rape "happen".
I refused for there to be any titillation factor.
The female is *&^%-ed up from it, and the therapist can't believe what is being heard.
As more information comes out, and more details emerge...
it hits the point the (new) therapist is throwing up and can't handle hearing it.
the breakdowns and recoveries seem to make for compelling and emotional plot material.

as more details emerge about what happened, it gives you that kicked in the guts feeling.

only having the victim have to confront and recall it, seemed like the only way to go with it.
I wrangled as much mileage as I could out of all that. It becomes fuel for the investigation/revenge.
it makes the dedication and perseverance of the people taking the revenge, make sense.
 

L1aei

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I'm late to the party.
Rape.
I decided a "worst case scenario" rape for a psych student getting into rape therapist work, would be the way to deal with that.
I refused to have the rape "happen".
I refused for there to be any titillation factor.
The female is *&^%-ed up from it, and the therapist can't believe what is being heard.
As more information comes out, and more details emerge...
it hits the point the (new) therapist is throwing up and can't handle hearing it.
the breakdowns and recoveries seem to make for compelling and emotional plot material.

as more details emerge about what happened, it gives you that kicked in the guts feeling.

only having the victim have to confront and recall it, seemed like the only way to go with it.
I wrangled as much mileage as I could out of all that. It becomes fuel for the investigation/revenge.
it makes the dedication and perseverance of the people taking the revenge, make sense.

Gotcha. You let the aftermath do all the talking. I kind of like that because it can mix both the recovery and the memories of trauma into same scene.
 

FRWriter

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Oct 3, 2024
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The more you think about it, the worse it gets.

If this is something you think is important, just go ahead. Overthinking rarely leads to good results.
 

corruption

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On Royal Road I wrote a story, Holy Uni.
It is about a school for people who want a chance for godhood. Anyone can apply.
ANYONE!
There is a chapter where the Principle and Vice Principle discuss what to do with some students.
It does not outright say what the students are into, but reading it you can tell it means pedophilia, bestiality, necrophilia and possibly other things. This by looking at the official plans made to deal with them.
Plans include guiding the creation of beast folk and short races, recommending cremation to prevent necromancers using corpses to summon spirits of the student's faithful, and stressing that their followers' children are the next generation of believers and need to be protected from those who would prey on them.
Unofficial plans I had in mind involved arranging for them to be killed off entirely.

I added chapter warnings, made it so the chapter could be skipped, and conveyed that such supposed beings need to be destroyed. I also checked with staff before making that chapter.
 

L1aei

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On Royal Road I wrote a story, Holy Uni.
It is about a school for people who want a chance for godhood. Anyone can apply.
ANYONE!
There is a chapter where the Principle and Vice Principle discuss what to do with some students.
It does not outright say what the students are into, but reading it you can tell it means pedophilia, bestiality, necrophilia and possibly other things. This by looking at the official plans made to deal with them.
Plans include guiding the creation of beast folk and short races, recommending cremation to prevent necromancers using corpses to summon spirits of the student's faithful, and stressing that their followers' children are the next generation of believers and need to be protected from those who would prey on them.
Unofficial plans I had in mind involved arranging for them to be killed off entirely.

I added chapter warnings, made it so the chapter could be skipped, and conveyed that such supposed beings need to be destroyed. I also checked with staff before making that chapter.

Okay, rather surprised someone on Royal Road didn't overreact on that one, but I also see why they didn't; you had a good example of what I mean by framing. You didn't present that type of scene explicitly to shock folks but instead contextualized it within an institutional response. You even added warnings and made it skippable! That is genuine, intentional handling. Good for you. Like, whether their readers agree with your approach or not, the fact that you thought through how hard it would smack and whether it could survive the blow is the interesting part to me.
 

Feudyn

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Someone told me on a different platform that honestly, I should just write my web-novel how I wanted to write it.

And that advice has been huge for me.

I went through almost the exact same thing that you did when I first started my story, but then I realised that
  1. I'm not glorifying anything.
  2. It has played a big part in the foundation of my plot.
  3. It is my choice to include it.
I have seen and read some other novels where the content that they include or write about is super next level compared to some of the stuff that I include in mine, and I'm not saying that it makes some of the triggering content in my work any better, but it does help to pout some things into perspective.
 

L1aei

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Someone told me on a different platform that honestly, I should just write my web-novel how I wanted to write it.

And that advice has been huge for me.

I went through almost the exact same thing that you did when I first started my story, but then I realised that
  1. I'm not glorifying anything.
  2. It has played a big part in the foundation of my plot.
  3. It is my choice to include it.
I have seen and read some other novels where the content that they include or write about is super next level compared to some of the stuff that I include in mine, and I'm not saying that it makes some of the triggering content in my work any better, but it does help to pout some things into perspective.

Worse exists... yeah, hopefully we are all fully aware, and there are some things I've read decades ago I could've lived without.

Yeah... I'm glad you are aware; that realization matters. At some point we stop writing around those scenes and just write the novel.

The comparison to other novels going further though? I don't think the comparable distance on whatever scale we're going by is what really helps. Like, two scenes can be equally dark, one feels hollow while the other feels necessary, and you pointed out that you make it matter.

But the difference isn't how extreme it is, you know, shock value stuff? Instead, it's whether the context of the scene treats it like foundation or gory decoration. If it actually works and the damn thing holds the plot and characters up, readers will sense that. If it's just there because darker exists elsewhere, they feel that too.

So, yeah, we include it because the story needs it, not because it survives those comparisons.
 

Feudyn

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Instead, it's whether the context of the scene treats it like foundation or gory decoration. If it actually works and the damn thing holds the plot and characters up, readers will sense that. If it's just there because darker exists elsewhere, they feel that too.
ooh, this reminds me of something one of my tutors asked me a long time ago when I asked about certain explicit (or dark) themes.

(Can't remember what the exact words were) but it was something along the lines of:
Is it just for reader indulgence?.. Then you probably won't need it.
But can the reader think back twenty pages ago to revisit the scene in their head because x happened in the chapter? Then put it in there.
 
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